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2007年12月08日

Farewell to DQN Oi (2003) - PART 2

Whenever I'm going to see a show of these bands who're calling themselves 'Oi!/Skinhead' in Tokyo, I can find a few bands who're always putting St.George's Cross (England's National flag) up on the wall triumphantly. Also, there're some bands calling themselves "Made in England" or "East End", but they're never from England. So, I looked around another place where the Rising Sun fluttering however I could see nothing but an incomprehensible band saying Skrewdriver (Racism/White Power) is pretty cool.

SPLIT SINGLESPLIT SINGLE
鐵槌/桜花 鐵槌 桜花

ダイキ 2000-09-06
売り上げランキング : 708877

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by G-Tools


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posted by Toshi at 21:14| English | 更新情報をチェックする

2007年12月02日

Farewell to DQN Oi (2003) - Part 1

The Japanese streets are always overflowing with those "anglophilia" bands.

ULTRA PUNK DROOGSULTRA PUNK DROOGS
HAT TRICKERS

ディスク・ユニオン 2003-12-19
売り上げランキング : 218869

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by G-Tools


We cannot understand a true appearance of Britain no matter how we listen to the CD's of those bands though. We can understand a Japanese character very well. Because they're crammed full of inferiority complex to the West, diligence, ambition, people's goodness, self-torments and feelings of estrangement, etc. It's no exaggeration to say that those "anglophilia" bands would be completed if we condense the Japanese tightly.

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posted by Toshi at 17:20| English | 更新情報をチェックする

2005年12月17日

"Oi of Japan" - Goddamn Toy Dolls Believers

I'm 200% sure that the Toy Dolls have never ever been the so-called 'Oi!'.

oi_of_japan_front_sleeve.jpg oi_of_japan_back_sleeve.jpg


V/A "Oi of Japan" LP (AA Records)

SIDE A:
1.COCKNEY COCKS "I don't care", 2.THE WANDERES "Picky Boys", 3.CRACKER JACKS "Our Future", 4.S.A "Youth on Your Feet, 5.GENBAKU ONANIES "TEMPTATION", 6.LOO'S HALLOWEEN "BAD DREAMER ON THE HILL", 7.BAD VALTURES "NUCLEAR POWER", 8.PEATE'S "To Much To Many People"

SIDE B:
1.BAD VALTURES "OUT OF CONTROL", 2.COCKNEY COCKS "BAD BOY", 3.GENBAKU ONANIES "NO NO BOY", 4.THE WANDERES "Way Ward Riders", 5.S.A "Nothing Ness", 6.CRACKER JACKS "Animal Life", 7.NEW ROTEEKA "DRINKIN'BOYS", 8.BULL THE DOGS "LONG LIVE Oi"

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posted by Toshi at 19:50| English | 更新情報をチェックする

2005年11月20日

The New Year Talks 2005 - Part 2: Rotten Smell Covering over Japanese Punk

Making a general comment, "DOLL" has nothing but masturbating articles and their point of view is hackneyed. But they would not bother to make a better magazine than such a coterie-type zine by false writers.

Oi-yama: Let's get back to what we were talking about. The sales of the "Burst" as a subculture magazine were going up several years ago because they broke away the taboo under the pretext of showing us those shocking stuffs to make themselves came out victorious in the business world. There was a lot of response to their straightforward point of view. However, that was going too far. "Burst" became like such an erotic and grotesque magazine with pictures of corpse and nude girl and the fans lost interest. These days, "DOLL" is monopolizing the whole Japanese punk market as there's no cut-throat competition in that world. It's displeasing to me and the Japanese punk scene has the misfortune to get involved in such a totalitarianism too much. However, the main point is unclear to me. "DOLL" is not gaining the strong sympathy of many in the fans like what the past "Takara-jima" and the above "Burst" used to be.

Toshi: Oh, that's right. There are many Japanese bands and labels who'll grin to themselves at the "DOLL", but there might not be so many fans who'll become enthusiastic about "DOLL" and feel like "I will go along with 'DOLL'".

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posted by Toshi at 00:38| English | 更新情報をチェックする

2005年11月19日

The New Year Talks 2005 - Part 1: Death Cry of The Griffin

There are many gifted bands in Japan. To our regret, most of them are not running as fast as they can.

Toshi: Well, the announcement of The Griffin's broken up was the last year's big event. Ignoring "the Dokyuso Oi company (aka Pogo 77 Records)", they have been pursuing the British youth cult deeply and also have been writing straightforward lyrics on their original songs. However, there wasn't enough fans for such a band to do a fine business in Japan. It means that the Japanese scene is desperately hopeless. Whether such a band as The Griffin can be sold or not, we should know there's a sign of what it is.

B0009G3HOQNUFFIN’BUT THE GRIFFIN
THE GRIFFIN

インディペンデントレーベル 2004-05-15
売り上げランキング :

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by G-Tools


Oi-yama: Umm... To tell the truth, I don't appreciate The Griffin so much. Actually, the Japanese scene is now on the decline and there's no foundation such a deeper band can be sold on. However, what they have done is not radical enough, right? Their musical style is generally the Mixture Rock in a few years ago, which sounds like Back Drop Bomb with a bit of maniac Brit youth cult things. Basically, they sound like a hard rock as if it were the thin AC/DC with water three times, like a band from a major record company, and also kept up appearances for general music fans. One of their technical skills on the "Know the Score" CD was an old-school rap and this time it became a bit evolved Rap-core. These were really decent or ordinary things. They say they're making a selling point of the Brit youth cult things of its lyrics and it's very interesting though, so they should sell their CD's in England (Laughter).

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posted by Toshi at 15:37| English | 更新情報をチェックする

2005年09月05日

Dokyuso Oi Recession - Another Lost Decade

次の文章は、ドキュソOi・リセッション - さらに失われる10年を英訳したものですが、これでもってThe Oppressedに議論を申し込んでも、何故か無視されて問答無用で削除されるという、曰く付きのスキャンダルです。

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posted by Toshi at 18:46| English | 更新情報をチェックする

2005年08月25日

Another Lost Decade

I know those Japanese bands, nationalist or not, do not injure a foreigner. Maybe they themselves are good people. However, the big problem is that The Oppressed is the overly-serious SHARP fundamentalist who's spreading Anti-Racism/Anti-Fascism all around the world. Well, so, those Japanese United We Stand and Oi! Valcans are really proper bands for The Oppressed??? I don't think so.

Excluding some of those goddamn Toy Dolls believers called "Oi! of Japan", the Japanese Skinhead scene once had those nationalist organizations such as JM (Japanese Movement - Humpty Dumpty, Bad Vultures, Bull The Dougs, Cracker Jacks, Warmachine, Contraclockwise, etc.) in Osaka and SSS (Skinhead Samurai Spirits - Bull The Buffalos, Cannons, Sledgehammer, Ouka, Ikazuchi, Aggro Knuckle, Eastern Youth, Kabuto, Growl Strike, Worst, etc.) in Tokyo who worshiped Ian Stuart (Skrewdriver) as a god but never ever had such left-wing ones as SHARP or RASH in Japan. Well, how about those United We Stand and Oi! Valcans' political attitude toward Racism and Fascism? I'm sure they never ever say anything about them and never ever take any action to them. What is worse, they are still associating with The Hawks who think Skrewdriver is pretty cool and who covered Skrewdriver song on their own CD. Actually, Skrewdriver is musically good. But do you think whatever bands musically good are OK even if they're singing a song like "Kill those fucking Japs, Yellow Monkeys, Second Class Citizens", eh? You take your jokes too far. Yeah, there's a SHARP logo mark on the sleeve of the "Skinhead Unity" CD. I'm afraid those Japanese United We Stand and Oi! Valcans are using that SHARP logo mark as if it were an indulgence even though they never ever done anything for SHARP. There're some money-making fake civil liberty organizations by Yakuza in Japan but I never heard such a word as "Fake SHARP". I'm too shocked by their stupidity to say a word.

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posted by Toshi at 01:30| English | 更新情報をチェックする

2005年08月16日

Who's Who in Dokyuso Oi

If you doubt what I'm saying, you should ask them about it. They can't surely answer it. I don't know why, but those dorks have blind faith in the word "United". They have a one track mind. UNITED, UNITED, UNITED! They're completely clueless, they really don't know what a real Oi!/Skinhead cult is and what a real Racism is. I call those stupid bastards "Dokyuso Oi (Dork's Oi)". The so-called 'Japanese Oi!' you are referring to is, in fact, a work of "Dokyuso Oi". Those don't look like real Oi!. I think it's a scam. Actually, I remember Anger Flares (Ex-UNITED WE STAND) showed off those Skrewdriver record sleeves to sell on their website a few years ago. Hey, you can make a quick buck selling White Power CD's to Yahoo! Japan Corp's Auctions.

If you work together with The Oppressed, you should stop associating with those Nazi boneheads, should stop selling your souls to the Media Fascism and should know the true meaning of the word "Anti-Racism" or "Anti-Fascism". We're not having any bullshit from you.

Oh, yuck! I heard those boneheads invite The Oppressed to Japan but I'm against the plan. That's a cock and bull story if ever I've heard one. Something's not quite right. I can smell a rat. They have no part in this. I wrote such things in the Japanese language on this site. The Oppressed and United Front, your kind respect just one thing. Japan Money. Now, money is all Japan is good for. Right?

【緊急】ハッキリ言ってウソっぽい!アノ英語耳を検証
格安でものすごく楽な英会話学習システム見つけました!
英語を本気でモノにするなら、アルク
イングリッシュタウン
あなたの英語…そろそろSTEP UPじゃない? 洋書にチャレンジ!
240万人が学んだ英語教材
全10曲収録 【英語のうたCD】プレゼント中!
あなたも60日で驚くほど英語が上達する!


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posted by Toshi at 00:57| English | 更新情報をチェックする

2005年07月02日

Doll, Doll, Doll

This Japanese punk scene is so dinky. It only has one magazine. No TRUE fanzines are available. It was such a letdown when I saw almost all the Japanese bands and labels selling their souls to the "Super Head Magazine DOLL". I hate sucking up to the "Super Head Magazine"! That "Super Head Magazine" was bogus.

The Japanese media are very good at reporting on foreign issues - Super Head Magazine DOLL, for example, makes excellent discographies about foreign bands - but when it comes to our own domestic issues, their coverage is not so good. I think it's maybe a characteristic of Japanese media. Even local media in Japan isn't good at criticizing their own areas. Japanese media tend to hesitate in covering critical issues on their own doorstep. Absolutely, The media must be willing to pursue the truth, because they are the public's eyes and ears. I was worried that the Super Head Magazine would become a PR machine for those bands and labels. But the Super Head Magazine's dictatorship now in place it's even worse than that.

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posted by Toshi at 15:18| English | 更新情報をチェックする

2005年06月23日

The Structure of Japan's Dark Side

As you know, Japan is still a hopelessly 'totalitarian' state. In a sense, it might be a fascism that The Oppressed detested as if it were a viper. Also, we have no TRUE "freedom of speech" or no TRUE "freedom of expression" in our Japanese society. If I say something critically toward Japanese bands, they will threaten me with violence (e.g. Jerks at Pogo 77 Records). As a proof of that, The Avoided wrote such a song as "Taboo" ironically:

Read the scandals on the paper... The hidden truth and the plotted news... Whether we become aware of it or not, we're too chicken to accuse... Threat! Pressure! and Violence! (All We Got)... You better keep silence cos it's under taboo... The other side people you see it on the telly... Living a life almost suicide... But there's no much difference between the groups here and the dictator of the other side...


Another Japanese band called Youth Anthem said "No more violence!" on one of their songs but it must have been a lie. Japan could have a freedom of speech, but large parts of it choose not to be that.

A bunch of stupid Japanese bands are eyeballed our website all throughout the internet, looking for even the smallest faults. Those little fuckers are only capable of slandering our website at the internet. I don't get off on "Dokyuso Oi" anymore. They like to hang tough, but underneath I bet they're scared of us. They don't take criticism very well. I think they're too high-strung. They never listen to my advice. They're still so hard-headed. They are just a bunch of prima donnas. The Japanese Oi! cannot make a discussion; it's gridlock. Don't cop out just because you are afraid of getting into a little bit of argument. As a journalist, I want to get the lowdown on them, so the truth can be revealed. I wrote such a thing on the "Japanese Punk is a reign of terror".

【緊急】ハッキリ言ってウソっぽい!アノ英語耳を検証
格安でものすごく楽な英会話学習システム見つけました!
英語を本気でモノにするなら、アルク
イングリッシュタウン
あなたの英語…そろそろSTEP UPじゃない? 洋書にチャレンジ!
240万人が学んだ英語教材
全10曲収録 【英語のうたCD】プレゼント中!
あなたも60日で驚くほど英語が上達する!


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posted by Toshi at 01:48| English | 更新情報をチェックする

2005年05月15日

Where Is SHARP?

It's a shame that the Japanese Skinhead scene is out of order. Ha, you make me laugh. It takes a lot of grit to do something like SHARP. There're no such advanced things as SHARP or RASH in the Japanese scene. They don't have to put such a fake indulgence SHARP mark on the "Skinhead Unity" CD (Don't buy that CD, I heard it really bites) because those Japanese bands are not divided into Nazis/Fascists or not. It's a kind of a trick only a child would have fallen for.

Offensive statements of a racist or chauvinistic character are almost routine among Japanese skinheads. CD's of White Power bands are being offered on Yahoo Japan Corp's auction site. All the Japanese bands never even have their own says clearly against these facts and, what is worse, there're a lot of stupid boneheads who approve White Power Music and Racism - UNITED WE STAND and Oi! VALCANS just want to avoid complications. This is disgraceful. This is the unacceptable face of the Japanese scene. There needs to be tougher laws against these boneheads.

I've been living in this country for many years, and I still can't read the headlines. Yes means no. Maybe means never. I think it's maybe a characteristic of Japanese people. The lack of public debate surrounding it is a peculiarity of the Japanese. Being down-to-earth is not a characteristic most Japanese bands have. Let's not buy their CDs; they're a stick in the mud.

【緊急】ハッキリ言ってウソっぽい!アノ英語耳を検証
格安でものすごく楽な英会話学習システム見つけました!
英語を本気でモノにするなら、アルク
イングリッシュタウン
あなたの英語…そろそろSTEP UPじゃない? 洋書にチャレンジ!
240万人が学んだ英語教材
全10曲収録 【英語のうたCD】プレゼント中!
あなたも60日で驚くほど英語が上達する!


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posted by Toshi at 12:50| English | 更新情報をチェックする